:Zoviet *France’s Radio show A Duck In A Tree has included seven Lynee tracks on their most recent program called “Spring Reverberates”
A very warm thanks to them! The program is here It will air tomorrow on Basic FM.
I will post the links to the podcast and mixcloud as soon as they are online.
Update: Here are the links to download or listen-
Go spend some time with their programs!
There is a new Lynlee track featured in the recent Haze Sound Interpretation series on cities . This one is on Berlin. Thanks to Una for providing and editing the interviews. She did a masterful job! You can go here to listen.
Una writes a wonderful note on here facebook page as well
We will post this on Souncloud soon!
Artwork: Haze Netlabel
Two of my field recordings will be part of this event tomorrow night along with great sounds and live music!
The link is here
I will post my recordings later this month.
Thanks to the DC Listening Lounge!
Artwork: DC LIstening Lounge
I recently discovered that my recording Suzhou Studio was featured in Zoviet France’s weekly radio show, A Duck In a Tree. This is splendid program which highlights all facets of music, including field recordings. On a personal note, I consider Zoviet France innovators and pioneers so this was a real surprise and a great honor to be included. Here is a link to the show . I have been downloading past programs
Artwork: Zoviet France
The latest segment of THE IMPROBABLE MADE POSSIBLE, a roaming series showcasing contemporary avant-garde cinema, FAREWELL FROM A DYING STAR attempts to make cinematic sense of direct observation and its wayfaring counterpart, speculative fiction.
This program marvels at mesmeric outlooks on place – as viewed by Chris Lynn in Baoying, China; Margaret Rorison in Baltimore, Maryland; and Brendan and Jeremy Smyth in Bali, Indonesia – and embraces the enigmatic materiality of celluloid as manifested in Marika Borgeson’s sun print, Josh Lewis’s vertical exposures, John Price’s outdated film stocks, and Robert Schaller’s handmade pinhole apparatus.
20th century histories are also affected in THE HANDEYE (BONE GHOSTS), which stages a very special séance between Robert Musil and Frans Anton Mesmer, and in PLACES WITH MEANING, which stresses a reverberating representation of the Microsoft font, Webdings.
Resonating throughout this program are the echo, as evoked by Emily Richardson, “that reflects the unheard elements present in the earth’s atmosphere,” and the projection, in the words of Toby Tatum, “of an improbable realm, stitched together from a kit of warring elements into a fantastic whole.”
Curated by Lorenzo Gattorna, THE IMPROBABLE MADE POSSIBLE has previously made stops at Spectacle Theater, UnionDocs and Antimatter [Media Art].
Josh Lewis DOUBT #2 (2013, 5.5 min, 16mm)
Toby Tatum A WORLD ASSEMBLED (2013, 3 min, digital)
Emily Richardson REDSHIFT (2001, 4 min, 16mm)
Chris Lynn BAOYING WINDOW (2013, 4.5 min, digital)
Brendan and Jeremy Smyth DEATH SONGS & CAR BOMBS (2013, 6.5 min, 16mm-to-digital)
Scott Fitzpatrick, PLACES WITH MEANING (2013, 3 min, 16mm-to-digital)
Margaret Rorison SCANSION (2012, 8 min, 16mm-to-digital)
Anja Dornieden & Juan David González Monroy THE HANDEYE (BONE GHOSTS) (2012, 7 min, 16mm, b&w)
Robert Schaller UNDER THE SHADOW OF MARCUS MOUNTAIN (2011, 5.5 min, 16mm, b&w, silent)
James Sansing VERSES (2008-12, 4 min, 35mm, b&w/color, silent)
Stefan Grabowski LONG WAY FROM HOME (2013, 2.5 min, digital)
John Price SEA SERIES 9 & 13 (2013, 5.5 min, 35mm)
Mary Ancel THE BRIDGE (2013, 1.5 min, digital, silent)
Marika Borgeson THE STARRY MESSENGER (2013, 19.5 min, 16mm, silent)
Total running time: ca. 85 min.
I am really happy to announce that two of my films will be screened at the Blood of a Poet Festival in Latvia. This event is organized and curated by Poet and Sound Artist Jelena Glazova. Thanks to Una Lee and Peter Wullen for notifying me about this and for our collaboration on Black Canary.