Two of my field recordings will be part of this event tomorrow night along with great sounds and live music!
The link is here
I will post my recordings later this month.
Thanks to the DC Listening Lounge!
Artwork: DC LIstening Lounge
Two of my field recordings will be part of this event tomorrow night along with great sounds and live music!
The link is here
I will post my recordings later this month.
Thanks to the DC Listening Lounge!
Artwork: DC LIstening Lounge
I recently discovered that my recording Suzhou Studio was featured in Zoviet France’s weekly radio show, A Duck In a Tree. This is splendid program which highlights all facets of music, including field recordings. On a personal note, I consider Zoviet France innovators and pioneers so this was a real surprise and a great honor to be included. Here is a link to the show . I have been downloading past programs
Artwork: Zoviet France
Film Notes
The latest segment of THE IMPROBABLE MADE POSSIBLE, a roaming series showcasing contemporary avant-garde cinema, FAREWELL FROM A DYING STAR attempts to make cinematic sense of direct observation and its wayfaring counterpart, speculative fiction.
This program marvels at mesmeric outlooks on place – as viewed by Chris Lynn in Baoying, China; Margaret Rorison in Baltimore, Maryland; and Brendan and Jeremy Smyth in Bali, Indonesia – and embraces the enigmatic materiality of celluloid as manifested in Marika Borgeson’s sun print, Josh Lewis’s vertical exposures, John Price’s outdated film stocks, and Robert Schaller’s handmade pinhole apparatus.
20th century histories are also affected in THE HANDEYE (BONE GHOSTS), which stages a very special séance between Robert Musil and Frans Anton Mesmer, and in PLACES WITH MEANING, which stresses a reverberating representation of the Microsoft font, Webdings.
Resonating throughout this program are the echo, as evoked by Emily Richardson, “that reflects the unheard elements present in the earth’s atmosphere,” and the projection, in the words of Toby Tatum, “of an improbable realm, stitched together from a kit of warring elements into a fantastic whole.”
Curated by Lorenzo Gattorna, THE IMPROBABLE MADE POSSIBLE has previously made stops at Spectacle Theater, UnionDocs and Antimatter [Media Art].
Josh Lewis DOUBT #2 (2013, 5.5 min, 16mm)
Toby Tatum A WORLD ASSEMBLED (2013, 3 min, digital)
Emily Richardson REDSHIFT (2001, 4 min, 16mm)
Chris Lynn BAOYING WINDOW (2013, 4.5 min, digital)
Brendan and Jeremy Smyth DEATH SONGS & CAR BOMBS (2013, 6.5 min, 16mm-to-digital)
Scott Fitzpatrick, PLACES WITH MEANING (2013, 3 min, 16mm-to-digital)
Margaret Rorison SCANSION (2012, 8 min, 16mm-to-digital)
Anja Dornieden & Juan David González Monroy THE HANDEYE (BONE GHOSTS) (2012, 7 min, 16mm, b&w)
Robert Schaller UNDER THE SHADOW OF MARCUS MOUNTAIN (2011, 5.5 min, 16mm, b&w, silent)
James Sansing VERSES (2008-12, 4 min, 35mm, b&w/color, silent)
Stefan Grabowski LONG WAY FROM HOME (2013, 2.5 min, digital)
John Price SEA SERIES 9 & 13 (2013, 5.5 min, 35mm)
Mary Ancel THE BRIDGE (2013, 1.5 min, digital, silent)
Marika Borgeson THE STARRY MESSENGER (2013, 19.5 min, 16mm, silent)
Total running time: ca. 85 min.
Thanks Lorenzo!
I am really happy to announce that two of my films will be screened at the Blood of a Poet Festival in Latvia. This event is organized and curated by Poet and Sound Artist Jelena Glazova. Thanks to Una Lee and Peter Wullen for notifying me about this and for our collaboration on Black Canary.
The program is here
Reading Dream within a Dream can be viewed here
This is my first screening in Latvia! Thanks Jelena!
I contributed two tracks to the excellent new series Inspired by Flickr for the British Library . A special thanks to Cheryl Tipp!
Go here to listen.
This looks like it is going to be a wonderful place to visit for sounds and images.
If you are interested in submitting , this is what they are looking for:
“Whether you’re a musician, artist or designer, we’d like to invite you to bring these images to life by creating a short sound piece inspired by this amazing collection. Whether you’re interested in creating a sound portrait of an exotic landscape or fancy tackling something a little more abstract, we’d love to hear what you come up with” – See more at: http://britishlibrary.typepad.co.uk/sound-and-vision/2014/03/inspired-by-flickr.html#sthash.oa5CFrLU.dpuf
Below are the two images I chose.


Go have a listen!
Black Canary will be screened at the 9th Annual Heritage Film Festival in Bowie, Md on 4/17/14. This audiovisual poem is a collaboration between Una Lee, Peter Wullen and myself. This festival was created and is curated by the wonderful O.F Makarah.
Details are here
See it on the big screen!
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