Tag Archives: Performance

Notes on Slow Viewing Room at Space Theater in Busan, South Korea.

I have been thinking about the Slow Viewing room experience since I returned from Busan.

There was rain

outside the theater

count the frames

black out

on the brink of nothingness

the unknown

sonic transition

dawn

in the grey

the setting, the architecture, the space, the environment.

different worlds and levels of engagement.

current or present, past or lost and distant, not so distant futures.

landscapes of recovery

the pulse of the sun flickering on the screen

circles of light

falling leaves

rings of silence

boats drifting and slipping away

exterior sounds making their way into the space

performer and spectator

absorbing travel

art creating in a world of commerce

Industry embedded within the structure

stillness and reading

methods of repair

contemplation

past visions

collaborative effort with the viewer

the performer

elements of sound

the image

the space as performer

leaving and returning

mountain path

eyes looking out

Deep thanks to Jun Sangbae for his artistic vision and ideas and Hwang Miae for her stunning performance..

Upcoming events for Autumn and Winter

Very excited to announce upcoming performances and screenings for the autumn and winter season.

10/30/25-Frequency in Motion at Black Mountain College Museum

11/21/25-Frequency in Motion at Yaw Theater in Seattle, Washington

1/26/26-Frequency in Motion at The Old Hairdresser’s in Glasgow, Scotland

2/7/26-A Night of new Landcape films at The Film-makers-Cooperative.

I will provide links when available and dates may change, but for now this is accurate.

Super 8 still is from Japan, April 2025

Frequency at Revma in Athens, Greece

Frequency in Motion made its way to Revma in Athens, Greece on a cold February night. This was a beautiful and intense performance with a very large, receptive crowd. Each show is different and this one was no exception. There were four dancers, and an additional guitarist. Sounds, images, dancers, and two small installations provided quite a challenge during rehearsals, but we managed and it really paid off. Similar to Mexico, we had two projectors in dialogue, while the dancers moved from one space to another, each with their own story. Many of our sounds were new, and I was able to play an electric piano occasionally. Before the show, we had a Tale of Two Bays playing while the dancers slowly set the tone. This was a beautiful moment because I could really feel the sounds in a physical way and see what Atsushi, Emilia, Vicky, and Neli were creating while the audience wandered in. Like all the other shows, we have plenty of pics, some videos and a recording of the performance. Another very special collaboration. After the event, lots of discussion and ideas. Here is one text, Neli received the next day:

What we saw on Monday evening on the first floor of 8 Servion was
an addictive vortex with centripetal force
Dionysus and Susanoo
an antipodal connection of the post-human
a silent question to Aeschylus
a contemplation on the slowness of movement
a silent scream in the infinitive of time
a collective transition to the unmapped

Thank you Athens, Revma and Butoh dancers-performers : Atsushi Takenouchi, Emilia Bouriti, Vicky Filipa, Neli Poulopoulou and Guitarist: Aleksandros Mitros and Hiroko 🙂

Other observations:

Nearly a full moon-

Unusually Cold weather in Athens

Athens is a city of Cats

Photo: Dancer Vicky Filipa