A Windy Season is super 8 footage shot in Maryland during the months of November and December (2016) and January (2017). This film is from the Journal of Drifting Hours series.
Drifting moments, lyrical passages, memory impulses, landscape studies and visual notations captured and edited in-camera on super 8 film.
Tag Archives: Cinema
Milano
super 8 still 91 from Journal of Drifting Hours
“the acceptance of the very place of our presence”
A warm thanks to Francesca for offering her astute and deep insight on From Chance to Deal in the latest article from L’emergere del possibile. Go here to read.
Text is in Italian.
I would also encourage readers to look into their other articles. They are really doing something worthwhile and courageous. Writing about experimental cinema is not easy and they continue to dazzle.
Below is the film-
April views (work in progress)
Liguria screened in Milan, Italy for NOFEST on 4/8/17
I am thrilled to report that my film Liguria will be screened next month at NOFEST in Milan, Italy. This is presented by L’emergere del possibile & UNZAlab.
Here is the program and info. More links and additional info soon. A warm thanks to L’emergere del possibile for their enthusiasm and vision.
Links below
Screening two new rolls of Super 8 film at Rhizome on 3/7/17
Interiors
From Journal of Drifting Hours
Super 8 still 88
Wednesday Lesson
To look among the ripples of the waves
More penetrating analysis over at L’ emergere del possibile
This time Francesca looks at my recent film The Waves of Allasio. Go here to read. Text in Italian. Graci!
super 8 still 87
Framing sounds 
Maple House Collective presents…
Alex Pelchat – acoustic guitar/tapes/spoken words/contact mic’d objects (Harry Pussy meets John Fahey?!)
Nate Scheible – Tapes, tapeworms, trapezoids, voice, drumstick.. dumb stick… (custom emoji).
Chris Lynn will be premiering two new super 8 rolls of the Journal of Drifting Hours series – Drifting moments, lyrical passages, memory impulses, landscape studies and visual notations captured and edited in camera on super 8 film.
Zwischenzug – It was only a matter of time before these three veterans of the DC Experimental scene would get together to do a post-reductionist scraping electronic meltdown. Chris Videll (electronics), Phong Tran (zither/objects), and Gary Rouzer (cello) have agreed to combine falling objects, fireworks, and glacial exhalation. Will it be a train wreck or the start something greater than the sum of the parts? This is yet to be determined.
Super 8 still 89