Tag Archives: Collaboration

Frequency at Black Mountain College Museum

Frequency at BMCM was another dream show !  A place I have admired for many years, not just for poetry, but for music, painting, philosophy, everything really. The day before, I was informed by Hiroko that the event was sold out and to expect a large crowd, so my anticipation was high. When I arrived at the museum for our rehearsal, I was immediately struck by the John Cage exhibition, the art on the walls, and the prepared piano, which I would play during our show. The rehearsals were great, and the digital projection was not an issue.

I opened the show on prepared piano with Hiroko adding sounds. This really set the right tone throughout the performance.  I enjoyed the prepared piano sounds immensely and at one point, both Hiroko and I were playing it at the same time.  A true thrill. New sounds, vocals, field recordings, even objects were incorporated for this special venue.  The duration, like previous shows, was over an hour, but I felt we could have gone longer if needed. The acoustics were quite good in this space, and even the quiet and faint sounds registered  well. I am looking forward to listening back to the performance soon. Since the performance, we have received so many positive reactions. Deep gratitude to all.

Here is what BMCM said on their Instagram account:

We want to extend a huge thank-you to Atsushi Takenouchi, Hiroko Komiya, Chris H. Lynn, Jenni Cockrell, Julie Becton Gillum, and Constance Humphries for last night’s mesmerizing performance! Atsushi’s masterful Jinen Butoh dance technique captivated us alongside immersive sound and visual projections by Hiroko and Chris, creating a wholistic performance which celebrated the human spirit in harmony with our surroundings. Thank you to all of our BMC community members for coming out to see this event—we are thrilled that the evening served as an introduction to Butoh dance for many audience members!

I will  post a longer review from an audience member  in a few days.

A truly magical experience in such an inspiring place (BMCM)and landscape (Asheville, North Carolina).

Deep thanks  Black Mountain College Museum for giving us this opportunity

Photos: Cecile Ruel.

Frequency in Motion at Black Mountain College Museum on 10/30/25

Very excited and honored to announce the premiere of Frequency in Motion in the United States at the historic Black Mountain College Museum in Asheville, NC on 10/30/25. Go here for info. Here is a trailer as well. More info on this exciting show !

Switchboard photos and Full Moon Garden on Substratum

The Switchboard Gallery in Berlin uploaded some beautiful photos from their exhibition last month. You can go here to view. You can also view some of the Landscape Tempos as well. Danke Switchboard !

In audio news, I would like to thank the Substratum radio show for playing  Full Moon Garden   on his radio show on 10/13/25.

You can listen to the archived show here-

Deep thanks Arash. 

More news soon.

 

Full Moon Garden-new release with Hiroko Komiya

On this autumn equinox, I am happy to promote Full Moon Garden. Have a listen 🙂

Full Moon Garden — 満月の庭-   日本語下記Full moon descends into Coyoacán’s garden casting silver shadows on the earth
For a moment three figures stand still
Time suspended
Quiet voices
Ancient walls
Bougainvillea petals
Evening sky slowly dissolves into moonlight
Three shadows begin to move

満月がCoyoacánの庭に降りて 大地に銀の影を映す
ほんの少しの間 時が止まったように立ち尽くす三人
人々の静かな話し声  古い壁面  ブーゲンビリアの花弁
夕空の色は徐々に 月光に溶けていく
三人の影が動きはじめる

Full Moon Garden is the second release in the Garden series by Hiroko Komiya and Chris H. Lynn.
Recorded live on January 25,2024 in Coyoacán, Mexico City, Mexico.

credits

released September 22, 2025Hiroko Komiya: Objects;Electronics
Chris H. Lynn: Improvised Piano
Cover Art: Hiroko Komiya

Frequency in Motion in Kumano, Japan

Frequency in Motion at the Tanami theater was really a dream show for me. The atmosphere, the setting, the remote location really added to the mystery of this frequency. We rehearsed for a few days, but the final version was still relatively new. All improvised, this set was less dramatic than others, but the intensity remained. All the past frequencies were in major cities, but Kumano is remote, near the sea and mountains. I am certain this contributed to the mood and tempo of the dancers and the sounds. I was lucky to have a real piano during the set and I incorporated some new tracks as well. I really enjoyed improvising with Awaya and Hiroko and look forward to sharing some of the material. After the show, we had a very illuminating Q and A session. The questions varied from the nature of improvisation, Butoh culture, the structure of the film, and pacing. We had a great audience!

Massive thanks to the dancers: Atsushi Takenouchi (JP), Ioku Ero Nikaido (Hong Kong), Himeko Narumi (JP), Arisa Hiura (JP) for adding to the Japanese dream.

I have lots of additional work I will be sharing about this show and will report on my screening and filming in future posts.

Deep thanks to everyone involved in participating and putting this show on.  A fantastic event!

Photos above provided by: Stephen Black