A deep thanks to Moving Image Artists magazine for inviting me to discuss my work in their most recent issue on Landscapes. Here is the link to my article.
Take some time and hopefully discover some new and exciting filmmakers. Here is what they say:
“So we invite you to join us on a journey over land and sea, through mythic forests and open moors, past farmlands, meadows and fields of standing stones, while delving deeper into the mysterious landscapes of the human mind!.”
Deep gratitude for TJ Norris’s review of my latest Configurations with Clouds and Sea air. A great honor to be included on their wonderful site. Go here to read the review. You can also spend some time reading their interviews and other reviews here
Listen or purchase Configuration below-
A huge thanks to We need no swords for listening and reviewing my latest on the Verz Imprint lablel. A very thoughtful and insightful look which references Rebecca Solnit and Proustian ruminations. A delightful read and a great place to discover new and innovative sounds. Check it out here
and you can listen here
Warm thanks for L’emergere del possibile for placing Scenes from 10 Walks at the top of their 2018 list of films. I posted their analysis a few weeks ago, but you can read it here
You can see the film list here
Still from Scenes from 10 Walks above
Happy New Year.
A really beautiful time last night premiering Scenes from 10 Walks. Great conversation and questions afterwards as well. Scenes is over 46 minutes long, so I was a bit apprehensive about how the audience would respond, but it was very, very positive. I think the ambience of the church added an extra dimension to the overall audiovisual experience. The super 8 films looked great too! Thanks again the Hyattsille Independent Film series for a memorable evening. More soon
I would also recommend his site for info on his films, music, and illuminating and innovative books on the audiovisual. Check it out you won’t be disappointed! My personal fave are the diary entries and the scattered texts series.