Tag Archives: Collaboration

Frequency in Motion in Kumano, Japan

Frequency in Motion at the Tanami theater was really a dream show for me. The atmosphere, the setting, the remote location really added to the mystery of this frequency. We rehearsed for a few days, but the final version was still relatively new. All improvised, this set was less dramatic than others, but the intensity remained. All the past frequencies were in major cities, but Kumano is remote, near the sea and mountains. I am certain this contributed to the mood and tempo of the dancers and the sounds. I was lucky to have a real piano during the set and I incorporated some new tracks as well. I really enjoyed improvising with Awaya and Hiroko and look forward to sharing some of the material. After the show, we had a very illuminating Q and A session. The questions varied from the nature of improvisation, Butoh culture, the structure of the film, and pacing. We had a great audience!

Massive thanks to the dancers: Atsushi Takenouchi (JP), Ioku Ero Nikaido (Hong Kong), Himeko Narumi (JP), Arisa Hiura (JP) for adding to the Japanese dream.

I have lots of additional work I will be sharing about this show and will report on my screening and filming in future posts.

Deep thanks to everyone involved in participating and putting this show on.  A fantastic event!

Photos above provided by: Stephen Black

Audio Visual collaboration with Una Lee

I am very pleased to present the first Audio Visual collaboration with South Korean sound artist Una Lee. The track  “A Rolling Mind appears on Una Lee’s excellent disc Grainy Thought, which was released earlier this year. More on this ongoing collaboration soon-Enjoy

Una’s link is here

 

New Audio collaboration with Amptext

The last three screenings with Sonic Circuits have been really exciting for a number of reasons:
I have been able to hear innovative and challenging works from a wide variety of artists locally and internationally, which is really exceptional. I can’t think of any other place locally where I would see or hear this work on a consistent basis (the events are monthly).
I also get a chance to screen my films(live super 8 projection sometimes) along with other great filmmakers/videographers to a very receptive and appreciative audience. Lastly, and most importantly, it enables me to meet and possibly collaborate with other artists and learn new things.
Earlier this month I posted a link to an audio/visual collaboration with the excellent Daniel Barbiero-
He created the score while I worked on the visuals.
Here is my most recent collaboration: a new audio work with Amptext
I sent him a field recording in early December and he supplied additional sounds and arrangement-
He describes the process here-
To listen
More soon.