Tag Archives: sound art

Beyond Encounters #28 with Masatomo Fukushima(AWAYA) archive and tracklist.

 

Sound Haiku & OTOASOBI

01 a-un (with Poems of Yin-Yang)(00:00-06:02)
Composition & Performance:Masatomo Fukushima(AWAYA)
Poetry :Florencia Ruiz Ferretti.

02 Sound from Rosario”sunrise at home”(06:02-08:19)
Poetry :Masatomo Fukushima(AWAYA)

03 Sound from Kumano”morning of the grassland”(08:19-09:23)
Poetry :Florencia Ruiz Ferretti.

04 OTOASOBI@Tanami theater 250324-5(09:23-14:48)
Guri :piano
Masatomo Fukushima(AWAYA) :Bass
Yuca Mizuki :voice

05 Sound from Rosario”wind from the kitchen”(14:48-15:47)
Poetry :Masatomo Fukushima(AWAYA)

06 Sound from Kumano”night of the grassland”(15:47-16:55)
Poetry :Florencia Ruiz Ferretti

07 OTOASOBI@Tanami theater 250525-07(16:55-22:28)
Masatomo Fukushima(AWAYA) :Piano
IMAJIN :Effected Guitar
Takuya Homma :Synthesizer,Sax
Yuca Mizuki :Percussion
Myaiko :Percussion

08 Sound from Rosario”rainy spring”(22:28-24:27)
Poetry :Masatomo Fukushima(AWAYA)

09 Sound from Kumano”mountain stream water”(24:27-26:21)
Poetry :Florencia Ruiz Ferretti

10 OTOASOBI@Tanami theater 250324-9(26:21-33:22)
Smiren :Voice
Guri :Piano
Masatomo Fukushima(AWAYA) :Guitar, Voice
Yuca Mizuki :Whistle,Percussion,Voice

11 Sound from Rosario”strong wind”(33:22-35:00)
Poetry :Masatomo Fukushima(AWAYA)

12 Sound from Kumano”wind blowing through the forest”(35:00-36:38)
Poetry :Florencia Ruiz Ferretti

13 OTOASOBI@Tanami theater 250128-1(36:38-40:02)
Myaiko :Percussion
Yuca Mizuki :Percussion
Masatomo Fukushima(AWAYA) :Indian flute
Smiren :Voice

14 Sound from Rosario”cicadas and river”(40:02-43:20)
Poetry :Masatomo Fukushima(AWAYA)

15 Sound from Kumano”winter frogs”(43:20-44:53)
Poetry :Florencia Ruiz Ferretti

16   theater 251222-2(44:53-48:49)
Takuya Homma :Drums
Masatomo Fukushima(AWAYA) :Synthesizer(Chelo)

17 Sound from Rosario”Parana river”(48:49-52:12)
Poetry :Masatomo Fukushima(AWAYA)

18 Sound from Kumano”melted snow drips from the branches”(52:12-53:48)
Poetry :Florencia Ruiz Ferretti

19 OTOASOBI @Tanami theater 250525-14(53:48-58:00)
Yuca Mizuki :Voice
IMAJIN :Guitar
Takuya Homma :Cajon
Masatomo Fukushima(AWAYA) :Bass
Myaiko :Percussion

20 Sound from Kumano”winter grasslands”(58:00-58:22)

For more info on Awaya go here 

Beyond Encounters #27 tracklist and archive

1.Late December morning in Beaufort-en-Anjou. (New)

2. A stroll at Dusk (New)

3. White Resonance-Hiroko Komiya (New)

4. Frequency in Seattle excerpt w. Hiroko Komiya

5. Morning on Habitat Beach, Seattle (New)

6.Bayside in December

7. Late afternoon before class (Piano improv unreleased)

8. Winter Rain in Woodend (unreleased)

9.Ice near the bay

10.the light of a winter stream

Thanks to Hiroko 🙂

End of year recap

Image

2025:  Massive gratitude to Frequency with Hiroko Komiya and Atsushi Takenouchi in
in Greece, Japan, and the US and everyone who contributed to the shows
Screenings in Italy, Japan.
Switchboard for Landscape Tempos 1-50 in Berlin
Beyond Encounters on listen.camp 
and Substratum for playing all of Full Moon Garden.
all who viewed/listened/engaged.
Best wishes everyone.
 Looking forward to 2026.
Stay tuned.

Beyond Encounters #25 tracklist and archive

1.Asakusa temple (new)-Hiroko Komiya
2. Warsaw Market-
3. Improv Piano at Chance House (Unreleased)
4. Wednesday Lesson on Courtship 
5. Opening From Chance to Deal  film
6. Antibes 23 (new mix)
7. May 21, 2024- Hong Kong (excerpt)
8. Traveling in the rain (new)
9. Improv Piano in Carol Belk Theater (new)
10. Seminary late October (new)

Lots of new things on here and a few old things as well. Bif thanks to Hiroko for new recording.

Frequency at Black Mountain College Museum

Frequency at BMCM was another dream show !  A place I have admired for many years, not just for poetry, but for music, painting, philosophy, everything really. The day before, I was informed by Hiroko that the event was sold out and to expect a large crowd, so my anticipation was high. When I arrived at the museum for our rehearsal, I was immediately struck by the John Cage exhibition, the art on the walls, and the prepared piano, which I would play during our show. The rehearsals were great, and the digital projection was not an issue.

I opened the show on prepared piano with Hiroko adding sounds. This really set the right tone throughout the performance.  I enjoyed the prepared piano sounds immensely and at one point, both Hiroko and I were playing it at the same time.  A true thrill. New sounds, vocals, field recordings, even objects were incorporated for this special venue.  The duration, like previous shows, was over an hour, but I felt we could have gone longer if needed. The acoustics were quite good in this space, and even the quiet and faint sounds registered  well. I am looking forward to listening back to the performance soon. Since the performance, we have received so many positive reactions. Deep gratitude to all.

Here is what BMCM said on their Instagram account:

We want to extend a huge thank-you to Atsushi Takenouchi, Hiroko Komiya, Chris H. Lynn, Jenni Cockrell, Julie Becton Gillum, and Constance Humphries for last night’s mesmerizing performance! Atsushi’s masterful Jinen Butoh dance technique captivated us alongside immersive sound and visual projections by Hiroko and Chris, creating a wholistic performance which celebrated the human spirit in harmony with our surroundings. Thank you to all of our BMC community members for coming out to see this event—we are thrilled that the evening served as an introduction to Butoh dance for many audience members!

I will  post a longer review from an audience member  in a few days.

A truly magical experience in such an inspiring place (BMCM)and landscape (Asheville, North Carolina).

Deep thanks  Black Mountain College Museum for giving us this opportunity

Photos: Cecile Ruel.

Beyond Encounters #24 Tracklist and archived show

All of the material for this show is new. I know there  were some glitches during the broadcast, so I am happy we have this archive. There are no links to provide.

1.Enveloped in afterimages and echoes (new poem by Hiroko Komiya)

2. Frequency Rehearsal in Kumano, Japan (April)

3, Mountain Bird in Tatsuno, Japan (April)

4. Triton in October

5. Train to Kushimoto (Japan)

6. Kushimoto sands (with vibes)

7. Chesapaeake Bay in October

8. Work in progress

9. Work in progress

10.Crickets/rain in October

11. Antibes piano mix

12. Wind on path in October

Thanks to Awaya and Hiroko.

Upcoming events for Autumn and Winter

Very excited to announce upcoming performances and screenings for the autumn and winter season.

10/30/25-Frequency in Motion at Black Mountain College Museum

11/21/25-Frequency in Motion at Yaw Theater in Seattle, Washington

1/26/26-Frequency in Motion at The Old Hairdresser’s in Glasgow, Scotland

2/7/26-A Night of new Landcape films at The Film-makers-Cooperative.

I will provide links when available and dates may change, but for now this is accurate.

Super 8 still is from Japan, April 2025